I unfortunately wasn't able to make this show at First Ave, so I thought some of you would like to see some of the pictures posted by The Current!
We have such amazing local talent! Aye Minnesota!
Thursday, March 7, 2013
SXSW- Is it worth it for artists?
If you haven't already noticed your social media feeds blowing up about SXSW, you sure will within the next week. People from all over the country are getting they're crews, companies, and brands ready as they head out on their tours down to one of the most unique festivals in the world.
I was lucky enough to send off some great local friends from the Midwest who performed at the Cabooze! If you haven't already heard of artists like Nimo the Hooligan, Heatbox, Sine Circle, or the local promotion/production/interactive company Last Triumph, you will after they hit up SXSW.
I was lucky enough to send off some great local friends from the Midwest who performed at the Cabooze! If you haven't already heard of artists like Nimo the Hooligan, Heatbox, Sine Circle, or the local promotion/production/interactive company Last Triumph, you will after they hit up SXSW.
However, now that the interactive section of the festival has outgrown the music and film portion, there are questions being raised whether the festival is as beneficial to musicians/artists. It's clear that in the article Jon Swartz wrote for USA Today, interactive start-ups will for sure shine on the platform SXSW has to offer.
As an aspiring artists myself with failed projects, and experiences working with flakey people in the industry, I learned early how important it is to play and independent role in your own artistry. I think that SXSW offers more than just music, film, and interactive elements. It offers panels with some of the most acclaimed professionals in the industry for educational purposes. Such panels could be exactly what some independent musicians need in case they're not attending a well known music school like McNally Smith.
I also think with the combination of Film, Music, and Interactive it allows people from all outlets of the industry to come together and network. This builds a sense of community, its allows great exposure, and is an experience you walk away from knowing more than what you did coming in.
That being said, I also think that SXSW is quickly becoming more and more commercial each year. They have been increasing the costs for tickets, and with the increase of attendees, why pay more money to stand in ridiculously long lines? I really wanted to go with the class through McNally, but as an artist, I couldn't afford the extra fee on top of the class. If you have the resources and funds to go, then I think it is a no brainer. There are other people of the like choosing not to go, such as Andrea Swensson a journalist from NPR who explains "Why I'm Not Going to SXSW"
Two New Music Discoveries
Lindsey Stirling:
Artist/Composer- Choreographs and directs all of her original music and videos.
Youtube sensation- Was a finalist on "America's Got Talent"
Signature violin-electronic-dubstep style
Has sold over 300K songs which have all hit the iTunes Top 100
Lindsey Stirling's Website
Caged Bird
2Cellos:
2 Croatian cellists
2Cellos Website
Smooth Criminal
Californication
Artist/Composer- Choreographs and directs all of her original music and videos.
Youtube sensation- Was a finalist on "America's Got Talent"
Signature violin-electronic-dubstep style
Has sold over 300K songs which have all hit the iTunes Top 100
Lindsey Stirling's Website
Caged Bird
2Cellos:
2 Croatian cellists
2Cellos Website
Smooth Criminal
Californication
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